Credit Where It’s Due

Now that the dust has finally settled from the Broken Technology launch earlier this month, it’s high time we paid tribute to all the blood, sweat and tears shed by the Broken Technology crew Alia and Rusty to put this night together for us. Big ups for a cracking show and keeping all the cogs oiled along the way.

To all of you who made it down, your support and response was nothing short of overwhelming, and we couldn’t have asked for a better crowd. Good natured, friendly, fun-loving party people are what keeps our scene alive, and you all fit the bill with buckets of awesome to spare.

So while we’re talking about buckets of awesome, the lineup well and truly tore The Bakery a new one. Able threw down some of the finest live production we’ve heard, SK Mode smashed out some seriously fresh glitch, Killer Industries blew the lid off the joint early, and Ekko & Sidetrack brought it on home like only true bass troopers could.

On a more personal note, extra-special mention must be made of the crew who became modern day superheroes in my world. You all contributed in so many different ways to the end result, but without your efforts the Lo-Key Fu show simply wouldn’t have seen the light of stage. To that end, we’re big fans of credit where it’s due, so here’s the Superhero roll call in alphabetical order:

Aiden ‘Awesomepants’ Harris
Amy ‘Supamazing’ Franklin
Brendan ‘I Have The Technology’ John
Caden ‘Kickass’ Forbes
Craig ‘Megawoob’ Roberts
Dani ‘Dangergirl’ Cronin
Holly ‘Good Ship Hollypop’ Loxton
Jamie ‘CAARN THE FOLATE!’ Duffy
Jeffamus ‘Standard’ Wood
Jess ‘Yellow Leader’ Reed
Kate ‘Supertwin Kateslice’ Carey
Katie ‘Broccoli’ Crothers
Lou ‘Supertwin Louslice’ Carey
Marko ‘Dr Polo’ Bajic
Ray ‘Camel Merchant’ Kenworthy
Ross ‘Rosswell Wreckage’ Benham
Sarah ‘Above & Beyond’ Scott
Scotty ‘Wobbleface Fangsworth’ Assassin
Tenille ‘Little Ninja’ Knievel

Looking forwards, we’re back in full swing and there’s plenty coming up, so keep your eyes on www.houseoffu.com for the latest as it happens.

You all rock.

Performing With A USB Flash Drive

Amongst other things, recently putting together a new live rig was reminder of just how effectively an everyday USB stick can solve some common laptop performance issues. Before sneering at the thought of using a humble USB key instead of your ‘lightning fast’ internal drive, you might want to read the rest of this article to see if this idea could work for you.

Overview
The idea is simple: leave your operating system and software installations just as they are, but access all of your samples, set files and performance related data from an everyday USB key.

Potential Benefits

  • Avoid vibration issues
  • Improve data transfer consistency
  • Improve access speed
  • Save yourself some cash

Avoid Vibration Issues
If you play music heavy on the low end from a laptop in a performance environment, it’s quite possible that you already have – or at some stage will – experience issues with sub bass vibration. These effects can range from jumping or glitching of the audio, to erratic gaps of complete silence; possibly even a maxed out CPU or system crash when the set you’re playing should hit nowhere near the available limit.

A hard drive works like a turntable in that a ‘needle’ (or head) moves across a ‘record’ (platter) to access your data as the system requests it. If there is enough vibration in the room, it can cause the head to jump, skid or slip while attempting to access your audio files, and while your poor processor frantically tries to compensate the read errors, this can result in any – or all – of the symptoms listed earlier, possibly even damaging your drive.

Unlike a regular HD, the everyday USB key is a solid state drive that has no moving parts. This means that as long as it stays connected, you could probably throw the thing in a tumble dryer without noticing any difference in performance.*

* Disclaimer: We do not recommend using your laptop from inside a tumble dryer. Attempt this manoeuvre at your own risk, but please send photos or video if you are successful.

Improve Data Transfer Consistency
Although most modern internal hard drives should have a significantly faster peak speed compared to a USB key, one of the advantages of solid state technology is that it usually accesses data at a far more consistent rate. If you were to benchmark a series of different drives using free utilities like HD Tach from Simpli Software, you’d notice that whilst a USB key should deliver extremely consistent speeds throughout, a standard internal drive is likely to ‘zig-zag’ up and down throughout the test.

In short, having a blazing fast top speed is all well and good – and over time, your internal drive may well clock a higher average – but performance issues in a live environment are often more about the slowest speed than the fastest.

Despite the ‘bigger better faster more’ approach to improving technology, the simple truth is that we don’t need incredible read speeds to play a large number of simultaneous, high quality audio tracks. A 24 bit stereo WAV for example, requires rates of just 0.26 Megabytes per second (MBps), and in terms of pure throughput, this means that even an incredibly slow USB key should handle more than enough audio to keep you satisfied on stage. By way of example, a cheap and nasty USB key with sequential read speeds of around 8MBps is still theoretically capable of streaming more than 30 stereo tracks of 24bit WAV audio without issue.

In contrast however, if you have an internal drive that ‘zig-zags’ from 100 MBps at it’s fastest, but occasionally drops down to a lowly 3 MBps (perhaps it requires defragmentation or is being affected by sub bass vibration) you might well notice glitches, pops or other problems with your audio each time it bottoms out. Puts things into perspective doesn’t it?

An important note on transfer speed:
When looking at transfer speeds like those mentioned above, be mindful of the difference between Megabytes per second (MBps) and Megabits per second (Mbps). Just one capital letter can make all the difference as 1MBps = 8Mbps.

Improve Access Speed
Before a standard hard drive can begin reading data, the platter must physically spin to allow the head to arrive at the place where the information is stored. Although this happens very quickly (usually a matter of milliseconds) the time taken to reach the starting point – referred to as access time – can sometimes cause a noticeable delay in response when triggering samples in a live environment. With solid state technology however, there are no moving mechanical parts and this often results in lower access times. Depending on the speed of your internal drive this difference is often negligible, but from our own experience we suggest that there can also be a tangible improvement between trigger and response. Why not try it for yourself?

Save Yourself Some Cash
Although Solid State Drives (SSD) are becoming far more widely available and could deliver exactly the same benefits we have discussed here, there’s something to be said for the price, convenience and ease of use of what is a cheaper, but (depending on your usage) no means inferior option. Given the choice, we’re not recommending choosing a USB key over a SSD, but if you have a spare USB port and want to save some cash while obtaining similar benefits, the choice is a bit of a no-brainer.

Recommended USB Keys
The specific brand, model and size of USB key you choose will depend on your usage, but here’s a quick list of some that we’ve personally tried in live environments that have given fantastic results:

If you have any personal experience with other brands or models we’d love to hear from you so don’t be shy.

Conclusion
Technology has come a long way since we were desperately searching for a solution all those years ago, but since finding one the Lo-Key Fu set is still run from a USB key today. As mentioned earlier, a SSD will provide the same benefits with a faster transfer rate, but don’t overlook the humble USB key as an interim measure if you’re keen to save some cash along the way.

Tidy Up With Auto Pan

Especially versatile, the Ableton Auto Pan effect is a useful little tool for tidying up your hi-hats, loops or percussion, adding some additional movement to a bass or lead line, or sweeping sounds around the stereo field to make a bit of space in the centre of your mix. Don’t be fooled into thinking the Panpart of the name is all the Auto Pan offers however, as playing with the stereo field is only part of what this little gem can help you accomplish.

Starting Settings
Today we’ll be looking at how to use Auto Pan for pulling those percussive parts together more neatly, so a good place to start might be like this:

These settings deliver a simple, but incredibly useful gating effect that cuts the volume of the sound in and out in time with the rest of your project. With the Rate set at 1/16 as above, this can make short work of tightening up hi-hats, percussion or faster synth lines by trimming those messy sound tails for you and saving a whole lot of otherwise manual work.

See What You’re Doing
From here there are all sorts of ways you can fine tune the effect with widely varied results, but realising the orange graph near the top of the plugin provides visual reference of what Auto Pan is doing to your sound will make life a whole lot easier. We recommend tackling three different dials in the following order:

1. Adjusting The Rate
Rate is the speed that the Auto Pan effect gates your sound. The slower you want the effect to work, the farther to the right you should set the dial. As long as the Tempo Sync option is enabled – look for the small button that has a ‘note’ symbol located below the Rate dial. It’s lit yellow in the image above – whatever setting you use here will be in time with the rest of your project. The alternative Hz setting provides yet more possibilities, but for the purpose of tightening your sound, the tempo sync option will likely prove most effective.

2. Adjusting The Shape
Think of the Shape dial as the ‘meat’ setting of the Auto Pan. It reflects how much of the sound is allowed through before it is rhythmically gated, and once again you can see a visual representation of it’s effect on the Auto Pan graph. Lower settings can tighten and thin the sound significantly, as less of the original sound is allowed through. Higher settings add more meat to the effect, but results can be choppy. Finding a balance between the two extremes that suits what you’re after is the key to using any effect, and the Auto Pan Shapedial is no different.

3. Adjusting The Amount
Amount affects how aggressively the settings you have chosen are applied, much like a wet/dry control. The far right setting (100%) is the most dramatic, and the far left (0%) has no effect at all. Starting with the Amount set to 100% will help you hear exactly what you are doing while adjusting the Rate and Shape, but once you have each where you want them, you can make the effect more subtle by winding this dial back.

Want To Learn More?
For reference purposes the Ableton Manual provides a detailed overview of each individual control if you’re looking to explore the Auto Pan more fully, but using the settings above and then adjusting Rate, Shape and Amount should be more than enough to get you started on tidying up some of the messier sounds of your mix.

Talking To Broken Technology

Looking towards the Broken Technology Launch in little more than a month’s time, Lo-Key Fu recently spoke with the good folk at BT about slalom skiing, musical mid-life crises and the new Lo-Key Fu.

“As a veteran of the local electronic scene, Lo-Key Fu boasts a trophy cabinet full of awards, successful international releases and live performances at major festivals such as Breakfest, Parklife, Summadayze and Earthdance. The Broken Technology launch this November marks his long awaited return to the live stage after a somewhat conspicuous absence, and we managed to get him to sit still for long enough to ask what’s been going on…”

You can read the full interview over at the shiny new Broken Technology website now.